Dark Arts
Review by Kate Horsley Karen Taylor’s Dark Arts is a page-turning mystery, combining well-crafted characterisation with a lively plot. The
From Our Blog
The Last House on Needless Street
Catriona Ward, The Last House on Needless Street (2021) Review by Lee Horsley Catriona Ward’s The Last House on Needless Street is
Reviews 2020-21
Crimeculture’s first three reviews of this year are of powerfully feminist crime novels, by Caitlin Mullen, Inga Vesper and Jessica
Don’t Turn Around
Jessica Barry, Don’t Turn Around (2021) Review by Lee Horsley “Wasn’t living under the constant threat of danger just a part of being
The Long Long Afternoon
Inga Vesper, The Long Long Afternoon (2021) Review by Lee Horsley Inga Vesper’s The Long Long Afternoon is a beautifully atmospheric and wholly absorbing crime
Please See Us
Caitlin Mullen, Please See Us (2020) Review by Lee Horsley As readers of Caitlin Mullen’s Please See Us, we are drawn into the lives
The Survivors
Jane Harper, The Survivors, 2020 Review by Lee Horsley Jane Harper’s The Survivors is an engrossing, suspenseful novel, with strong characters and
The Seven Doors
Agnes Ravatn, The Seven Doors, 2020 Review by Lee Horsley Agnes Ravatn’s psychological thriller, The Seven Doors, is a haunting and disturbing
The Godmother
Hannelore Cayre, The Godmother (2019) Review by Lee Horsley Hannelore Cayre’s The Godmother (published as La Daronne in France) was one of the
The Hunted
Gabriel Bergmoser, The Hunted (2020) Review by Lee Horsley Gabriel Bergmoser is an award-winning Australian playwright and screenwriter, as well as