Dark Arts
Review by Kate Horsley Karen Taylor’s Dark Arts is a page-turning mystery, combining well-crafted characterisation with a lively plot. The
Review by Kate Horsley Karen Taylor’s Dark Arts is a page-turning mystery, combining well-crafted characterisation with a lively plot. The
Jane Harper, The Survivors, 2020 Review by Lee Horsley Jane Harper’s The Survivors is an engrossing, suspenseful novel, with strong characters and
Agnes Ravatn, The Seven Doors, 2020 Review by Lee Horsley Agnes Ravatn’s psychological thriller, The Seven Doors, is a haunting and disturbing
Hannelore Cayre, The Godmother (2019) Review by Lee Horsley Hannelore Cayre’s The Godmother (published as La Daronne in France) was one of the
Gabriel Bergmoser, The Hunted (2020) Review by Lee Horsley Gabriel Bergmoser is an award-winning Australian playwright and screenwriter, as well as
Camilla Läckberg, The Golden Cage (2020) Review by Lee Horsley In The Golden Cage, her gleefully over-the-top revenge fantasy, the Swedish writer
Louise Candlish, The Other Passenger (2020) Review by Lee Horsley Louise Candlish’s The Other Passenger is a brilliant piece of contemporary noir.
Dreda Say Mitchell, Spare Room (2019) Review by Lee Horsley Dreda Say Mitchell’s Spare Room is a tense, gripping psychological thriller, holding the
Thomas Mullen,Midnight Atlanta (July 2020) Review by Lee Horsley Thomas Mullen’s Midnight Atlanta is a compelling sequel to Darktown (2017) and Lightning Men (2018).
Lucy Atkins, Magpie Lane (2020) Review by Lee Horsley Magpie Lane is Lucy Atkins’ fourth novel. Like her previous novels – particularly