Dark Arts
Review by Kate Horsley Karen Taylor’s Dark Arts is a page-turning mystery, combining well-crafted characterisation with a lively plot. The
Review by Kate Horsley Karen Taylor’s Dark Arts is a page-turning mystery, combining well-crafted characterisation with a lively plot. The
Jessica Barry, Don’t Turn Around (2021) Review by Lee Horsley “Wasn’t living under the constant threat of danger just a part of being
Inga Vesper, The Long Long Afternoon (2021) Review by Lee Horsley Inga Vesper’s The Long Long Afternoon is a beautifully atmospheric and wholly absorbing crime
Caitlin Mullen, Please See Us (2020) Review by Lee Horsley As readers of Caitlin Mullen’s Please See Us, we are drawn into the lives
Megan Abbott, You Will Know Me (Little, Brown & Company, July 2016) Review by Kate Horsley Megan Abbott says that when she was
Duane Swierczynski, Revolver (Mulholland, 2016) Review by Kate Horsley Duane Swierczynski’s Revolver opens in the mid-60s, with two cops, one black and one white, drinking
Elizabeth Brundage, All Things Cease to Appear (March 2016) Review by Kate Horsley Reading Elizabeth Brundage’s All Things Cease to Appear is a mesmerizing
Alex Marwood, The Darkest Secret, Jan 2016 Review by Kate Horsley “… it was a lovely weekend. Glorious weather and great company,
Editors’ Choice: reviews of: Johan Theorin, The Darkest Room and The Voices Beyond; Yrsa Sigurdadottir, I Remember You and The Silence of the Sea;
Editors’ Choice: reviews of Jill Alexander Essbaum, Hausfrau, Rebecca Whitney, The Liar’s Chair, and Laura Lippman, After I’m Gone Rebecca Whitney, writing in the Independent earlier this